
It seems that come award season a couple movies always make it across the pond and infiltrate the system. This movie follows the same formula as the ones before it. It humanizes the monarch while still telling a story of perseverance. Already nabbing a couple awards it is sure to win a couple of Oscars as well. Had it not been for the suburb acting in this movie I'm sure this would just be another British film nabbing awards that no one would see.
The title of the film references two things. Both the slammer that Albert Fredrick Arthur George (His Majesty to you) possessed since an early age. It is this stammer he must overcome to deliver his most important address to the nation at the dawn of World War II with Hitler knocking on the doorstep.
But Colin Firth and Geoffrey Rush make it worth it. Firth plays the stammering king who lives in the shadow of his father and brother, hauntingly played by Michael Gambon and Guy Pearce respectively. He once again dives into the role that calls for quiet restraint. He has become known for this type of role and continues to flourish with it. But his best moments are when he steps out of his quiet demeanor and stands up for himself. He is a shoo-in for best actor this year.
Firth's strong performance of the damaged son lacking confidence allows for his supporting cast to step out and excel as they try to raise him up. Helena Bonham Carter does well as the Queen Mum, her strong personality fits well as she interacts with some of the commoners. Her role is more limited in this story so most of the accolades not given to Firth will likely be given to his other costar. Geoffrey Rush steals every scene as the eccentric speech therapist who believes in his king. He delivers most of, if not all the laughs in the movie (Timothy Spall has some as Winston Churchill but I'm not sure if that's the writing or the fact that Timothy Spall is playing Winston Churchill). There is little to no nuance to the performance and while it may be the big named actors that get you in the theater it will be Rush who keeps you in your seat.
That seems to be what the problem with so many other English movies, they are often so serious that they keep fun loving American movie goers away from the theater. The performances and writing in the movie will keep the viewer engaged. All the characters are believable and it isn't until the final sequence that all the king talk really hits home, it is less about the monarch and more about the man looking to fulfill his duty.
Writer David Seidler had been looking to make this film for some time. And although he didn't need to, he asked for permission from the Queen Mum to make the movie. She in turn asked him to wait till after her death as the memories were still to fresh for her. After she passed away at the age of 150 he was finally able to tell the story of a man who fell by the wayside with so many larger personalities during this time period.
The story is an interesting one, but the execution is what brings the movie down a peg, it is formulaic. Fortunately the formula is how to win a lot of awards so it is a good path to follow. Even more fortunate are the male leads in the movie as they take the this story over the top which will have one of these men (though both deserve it) walking away with gold in February. A-
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