Showing posts with label Woody Allen. Show all posts
Showing posts with label Woody Allen. Show all posts

Sunday, March 4, 2012

My Top Movies of 2011

I am a man of the people, and when the people make a request I listen and often ignore it and then just go about my day. But if it is a good request then I take it a little more seriously. A suggestion like what did you think were the best movies of the year. That is a hell of a question and actually took some time to think about. While the top movies are easy to pick deciding what to leave off and what to leave on got infuriating so I thought I would make a go of it. Since the Academy gave us nine nominations here are my Top Nine Movies of 2011

9) The Ides of March
Damn what an incredible cast. If it seems like this movie just snuck on you'd be mistaken. This was going to make the list no matter what I just needed to think where to place it. All the acting is incredible and Ryan Gosling is so clearly The Guy right now, and all he had to do was look across the room to find out what it’s like to be The Man and boom there's Clooney. The movie goes at an incredible pace and while it is a short movie it moves even faster. There were so many moving parts, and Clooney as the writer and director puts it all in there efficiently and has you gripped to the edge of your seat all with tons of nods to campaigns of the past.

8) Midnight in Paris
A lot of people had this a lot higher on their list, and to be named one of the best movies of the year by anyone is an accomplishment. This is on everyone's list. And it is Woody being Woody; you have to like his work to really like this one. And I actually really liked the casting of Owen Wilson as a gentile younger Woody. Some of the characters were great like Hemingway and Dali, but this was one of the few times I got annoyed with Marion Cotillard, she really took me out of the film which is odd being that she was one of the few French actresses in the movie. I don't know, it was great and I liked it but it didn't keep me hooked which is why it is lower on the list.

7) Harry Potter and the Deathly Hallows Part II
Say what you will about the book or all the annoying people who read the book, or even worse the people who dress up for the movie. This was a good movie and deserved far more adulation than it got. It is clear J.K Rowling does not know how to write, but man she created a fantastic story with wonderful characters. And in the hands of David Yates who filmed the movie as darkly as the tone demanded the project played perfectly where so many others failed before him. And who would have guessed that Daniel Radcliffe and Emma Watson would grow into such fine actors, even if he was half in the bag during most of the shooting. These two young actors were able to stand out when there were people like Ralph Fiennes and Alan Rickman on set, that is impressive.

6) Bridesmaids
Maybe you saw it after everyone was telling you how funny it was and left this movie unimpressed by all the hype. You know how it got all that hype? By being fuckin hysterical. Kristin Wiig wrote a seriously funny movie and then gave all the best lines to someone else. Not that she wasn't brilliant in the lead role, but Melissa McCarthy stole this movie right out from under her. The story is sweet and doesn't dumb down the entire gender which so many movies in Hollywood do by assuming all they need in life is a good man. Plus poop jokes.

5) The Artist
This is just a feel good movie. Yes it is just a giant hand job to all that Hollywood is and all that it was, but whatever I'm down with it. And I personally love watching the rise of one lead to the fall of another. And while the love story doesn't stick with me so much I do remember falling in hook, line, and sinker when I was originally watching the movie. Plus the music is fantastic and I love the difference in acting styles from when they are on the screen to when they are out on the streets. Plus that dog, god I love simple pandering that a cute animal will bring to a movie

4) 50/50
How was this movie not nominated for anything at all?!?!?!? Seriously the screenplay is brilliant and heart wrenching without being too depressing. The characters are all amazing, but a special shout out to Bryce Dallas Howard for rocking the bitch character, oh and I loved the overbearing mother, oh and the music. God so much of this movie was so good I really need to watch it again. And that is all before mentioning just how great Joseph-Gordon Levitt has become as an actor. Or how fantastic Seth Rogan's character was and how well he portrayed him even though it’s not so much acting as it remembering as this ACTUALLY ALL HAPPENED. Will Reiser who wrote the script was diagnosed with cancer and Rogan convinced him to write a screenplay about it. He was going to make it a lot darker; luckily he didn't as the movie was super enjoyable, well as enjoyable as it can be with the subject being someone dying of cancer.

3) Warrior
I wanted to put this movie higher on the list but I just couldn't do it because the movie was so telegraphed but I don't care. This movie still sticks with me and it came out in frickin September, sometimes the lines and music will just pop in my head and I love to leave them there. That is the sign of a great movie, a movie that sticks with you. Nick Nolte is fantastic as the alcoholic father; a role I assume is easy for him to play. Gavin O'Connor who directed the movie also directed Miracle which has the same feel good-id-ness about it. Oh and Tom Hardy is bad-ass. I cannot wait for the new Batman movie

2) Moneyball
Maybe it is because I'm a sports fan that two of the top three movies are sports movies, or maybe it is because both movies are fantastic, probably the latter. Aaron Sorkin takes what is essentially an unfilmable book about sports statistics and makes it compelling to any viewer even if you are not into baseball. I originally thought only sports fans would enjoy this movie but after speaking with a lot of people I found it transcended sports and I love that. Brad Pitt is pitch perfect as Billy Beane and Jonah Hill is fantastic as his counterpart and has some of the best scenes in the movie. The movie moves fast and the dialogue is even quicker, without question Aaron Sorkin is one of the most talented men in Hollywood.

1) Drive
"You tell me where we start, where we're going, where we're going afterwards. I give you five minutes when we get there. Anything happens in that five minutes and I'm yours. No matter what. Anything a minute on either side of that and you're on your own. I don't sit in while you're running it down. I don't carry a gun. I drive." Ryan Gosling on the top and bottom of this list, obviously. He was so bad ass in this movie. He was perfect and I loved all the brilliant parts to this movie, from the retro fitting text to the nameless characters to Albert Brooks eating Chinese in an Italian restaurant. I loved it all, but here is the thing, I didn't love it at first. It took me a while, after seeing the movie I didn't really know what I just saw but then I thought about it and kept thinking about it and just how brilliant this movie was. Just ask The Artist, you don't need dialogue to make a character interesting and that is exactly what they do with the driver. And once the movie passes the half way point and the tone changes the movie becomes all the better. This is a movie that could be examined and picked apart by experts and they still may miss bits of brilliance from the movie. This is a movie that will be remembered years to come.

So that was my top 9 movies of the year. What did you think? What were your favorites? Let me know. And here is to 2012 being top notch for movies to look forward to this year. Enjoy it, I know I will.

Tuesday, February 21, 2012

Oscar Predictions 2012: Part 1

Here is the problem with this year's award ceremony. It was a down year for movies. Last year there were so many good movies to pick from (and they still went with the obvious choice in the King's Speech). After that they showed their age leaving movies like Drive and 50/50 off the ballots. Meanwhile love them or hate them movies like Tree of Life and Extremely Loud and Incredibly Close were nominated for best picture because of the way the voting is structured. So with some big snubs and with so few movies to choose from it seems like everything is pretty much locked up but we'll take a look at eight of the biggest categories. Today I'll take a look at the writers and directors

Best Adapted Screenplay
Alexander Payne, Jim Rash, and Nat Faxon, The Descendants
John Logan, Hugo
George Clooney, Grant Heslov, and Beau Willimon, The Ides of March
Aaron Sorkin, Steven Zaillian, and Stan Chervin, Moneyball
Peter Staughan and Bridget O'Connor, Tinker Tailor Soldier Spy

It looked like at one point Hugo could win the award but has since been taken over by the Hawaiian wave that is The Descendants. With a win from the WGA and major last minute surge overall The Descendants have been creeping up the Oscar ballots. Typically the Academy likes to recognize only one writer rather than a team for whatever reason. But Alexander Payne has been receiving much of the adulation for the movie, including this blog, more so than his contributors so that may give it the advantage. Moneyball probably deserves the award though as Sorkin was able to take a book that was completely unfilmable and turn it into an Oscar contender full of quick dialogue and a story that can be enjoyed by the non sports fan. That is talent.

Best Original Screenplay
Michel Hazanavicius, The Artist
Annie Mumolo and Kristin Wiig, Bridesmaids
J.C. Chandor, Margin Call
Woody Allen, Midnight in Paris
Asghar Farhadi, A Separation

Wouldn't you love to see Bridesmaids win, well I would but if you had to go with a nostalgic pick that vote would probably be going to Midnight in Paris which seems like a lock for the award. It has the rare quality of being a movie that should win and many experts are predicting to win. If for nothing else you had to enjoy the conversations from Ernest Hemingway and Salvador Dali. Although with a big night predicted from Michel Hazanavicius don't be surprised if this movie takes this award with all the momentum the movie has gathered.

Best Director
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo
Woody Allen, Midnight in Paris
Terrence Malick, The Tree of Life

What a group of talented directors this year. Yes Malick is a weird guy, but Badlands is frickin bad ass. Then again he has dinosaurs in his movie so he is probably out of any serious contention. Scorsese made a wonderful movie about movies, and the Academy loves self promotion, plus he ventured far out of his comfort zone. Payne and Allen went the opposite direction and told a story they have told before but both do a really good job telling it. Frankly any of these directors are deserving but all of the momentum seems to be surrounding Hazanavicius and with a win from the DGA and favored to win the big award he seems like a lock to win for best director.

Tomorrow we'll take a look at the acting category.