Sunday, July 31, 2011

Captain America: The First Avenger

The movie has a lot to do and very little time to do it. Captain America: The First Avenger needs to tell its origin story, explain how he got from fighting Hitler to today, and needs to set up for next summer's blockbuster The Avengers all while entertaining the audience. It has only two hours to do it in and must be done this summer to get as much revenue as possible while allowing the whole cast to be available to film the epic team up. That is a lot to ask one movie to do, and to its credit, it does just that. Much like the comic hero Captain America achieves its goals in a no nonsense manner

So how do we get there? Well for starters you need the right director, and the studio went with Joe Johnston. He has done a lot of work for kids movies but he was picked for his work on period pieces and the attention to detail he used for The Rocketeer and October Sky. He didn't fluff up the background, props, and costumes with too many effects or gimmicks (read X-men: First Class) and it looks like everyone belongs.

The only effect that may have made a difference to the viewers’ eyes is how to make Chris Evans smaller. Steve Rodgers starts as an asthmatic 90 lbs nothing and becomes a super soldier. It would be one thing to ask him to pull a Bale and either bulk up or lose weight but the visual that needed to happen here required a body double or some CGI. They went with the computer as Johnston didn't believe a body double would be able to capture some of Evans more subtle body movements. The only downside is that some of the darker backgrounds look hokier as a green screen was needed to fill the empty space. It is noticeable but luckily not too discerning as it could have easily been the 3D cameras demanding sharper focus. Once he bulks up and becomes what would probably be a poster boy for the Aryan race the 1940 visuals become clearer.

What doesn't charge is the charm and modesty of Steve Rodgers played by Chris Evans. Evans is an interesting choice as his past roles have had him playing characters with some pizzazz and wit. He is no stranger to the spandex as he was one of the very few bright spots in The Fantastic Four, and was great in Scott Pilgrim. Here he is asked to play a role that is much more noble and modest. Rodgers as a character has about the same amount of flare as DC's Clark Kent, so why cast someone known for their playfulness when you can't use any of it on screen. For whatever the reason the casting decision works out great and you believe what his character does. Evans is able to play himself down and be the man that is required for the guy behind the shield; he lets the people around him handle the flare.

The cast around Evans is fantastic. I never get tired of seeing Tommy Lee Jones and he brings the same dry wit delivery you are used to seeing him however few and far between that is. Stanley Tucci is also fantastic and appears to be having fun sporting what appears to be a “Hogan's Heroes” rendering of a German accent. Hugo Weaving is a great selection as a go to bad guy, the unfortunate part is when he actually becomes the Red Skull, we lose the facial tics that go with the baritone voice. And our 1940 beau looks like she got plucked right from the era, Hayley Atwell looks the part and stands just as tall as the Hollywood notables that surround her.

This is what you expect from your summer blockbuster. There is plenty of action and star power and the movie is fun, just not exceptional. Of all the super hero movies that came out this summer this is the best one. I don't know how much that says considering the competition it had. It certainly doesn't hold a candle to the charisma of Robert Downey and is nowhere near as good as the bat but it is a good option if you need some action based fun. Plus I'm still really excited to see what all that talent can do next year (make sure you stick around after the credits). Until then Captain America just about hits the spot. B

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