Thursday, May 24, 2012

Men In Black 3

It has been 15 years since J was recruited by K to join the Men In Black and a decade since the last time we heard from these agents.  Time has not been kind to this franchise, which really should have just stopped after the first movie.  But after such a successful original story, and huge star power from Will Smith and Tommy Lee Jones you can't blame the producers for trying to recapture the magic from the original.  That is what Men In Black 3 feels like, an attempt to recapture the magic of the original instead of attempting to coming up with an original story.

Anytime a movie attempts time travel or goes to a tropical island viewers enter at their own risk, especially when the movie is a sequel.  Here J, must go back in time and save his partner from getting killed and put history back in its proper place.  So in this movie all of the fish out of water jokes from the first one are in relation to going back in time rather than learning about alien life on earth.  I can not think of a time traveling sequel that has ever been rewarding, so this movie is already up against a wall. 

The movie's humor relies on everything being dated.  That means that all the technology the agents use in the sixties are antiquated and bulky and therefore must be funny.  There are moment where it looks like there could be some genuine moments of levity, and they even touch briefly on the race issues of the sixties but are too quick to move on to a new device before any joke has the chance to settle in.  You can tell that the writing team for this movie had too many cooks in the kitchen and Etan Cohen tried pulling the best of the best instead of making every moment flow into the next one.

The bulk of the movie rests on Will Smith's back, because while K is a big piece of the puzzle, the role is shared by two different actors.  Smith seems like he is phoning this one in and is merely getting a paycheck to help his children do more projects.  Meanwhile Tommy Lee Jones literally disappears for half the movie, which may be due to the aging actor not being able to handle an action blockbuster like this anymore.  In his place is one of the few bright spots of the movie in Josh Brolin.  Brolin plays a dead ringer as a younger Tommy Lee Jones, with the good ole boy drawl and dry delivery down pat. Even if the younger actor is supposed to be in his late twenties and not his early forties the casting still works.

While Brolin was a nice surprise, what I was looking forward to most was Jermaine Clement as Boris the Animal.  I don't know what I was expecting out of him but I didn't get it.  Vincent D'Onofrio just did so spectacularly in the first one that I think they tried to replicate it.  Maybe I just wanted him to be a little goofier and I don't know bust out into song with Bret (Hi Bret), but that would be too much to ask for, I guess.  It seemed like they missed an opportunity with a brief appearance by Nicole Scherzinger or maybe I just wanted to see more of her leather dominatrix costume.  The most important part though may be Michael Stuhlbarg who provides some nice support as the last of his species who can see all the different possible futures which adds a little bit to the time traveling plot line.

Everyone keeps referencing a major past event in K's life, a moment which would turn out to be the climax of the movie.  With all that build up there was an expectation for a bigger moment.  That is this movie in a nut shell - bigger expectations.  And expectations weren't even that high for this movie, after all it was the third movie 15 years removed from the original that featured time traveling.  If you do go and see this movie, it may be a better idea to bring a neuralizer along and replace the two hours with a more pleasant memory like the one below.  D+

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